Digital Painting As contrasted with Customary Portrait

Digital painting, for many who are still unaware, is an art form where traditional painting techniques are demonstrated using digital tools in computer software, or perhaps a digitizing tablet and stylus. The “artist” uses painting techniques to create the digital painting on the computer. Within the programs are brushes which are digitally styled to portray the standard style of painting just like oils, acrylics, and water paint.

Creating with the effectation of charcoal, pen, and pastels can be an available tool. In most programs, an individual can also create their own brush style using both shape and texture, that is important in bringing traditional and digital painting together as a geniune looking product.

Although digital painting is definitely a fascinating subject to me, and I think it’s amazing what sort of technique is executed in minutes when it usually takes days to obtain exactly the same effect manually, I can’t help but think it removes the integrity of a real painting done by a truly skilled artist. With “digital” painting there is no real artistic talent used in applying the techniques which are mimicked by digital painting programs. They are applied by utilizing digital tools in the computer software. It’s hard for a traditional artist to think about a person using this type of software as authentic. posters Not to say they don’t have an “eye” for color or have too little vision, but how about the skill of actually using physical mediums and tools? And of course the impression of accomplishment that accompany finishing a painting that has been lovingly worked on for some time, mixing paint to obtain the right color, and, by trial and error, getting that effect you’ve been striving to achieve. The entire style of the artist is different.

Many traditional artists are extremely physical using their paintings and will use hands, feet, clothes and other things that to acquire a certain effect or texture. They like to mix the paints having an actual palette knife, use mediums to modify the paints, apply the paints to a real surface, and work a painting until it is completed with great satisfaction. They especially appreciate learning from mistakes made and skillfully correcting them… not by selecting “undo” in a computer software program, but by hand.

I can see where it could be tempting to use a digital program simply for the very fact you have a palette of a million colors to choose from, and the capacity to take back mistakes in an instant. However, it’s still apparent to me that these digital programs should be properly used primarily for work and school projects or on a professional level for graphic designers. Fine artists who desire a hands-on relationship with painting mediums and their smells, canvases and their textures, and the entire messiness of employing their fingers as tools should stay authentic and true for their craft.



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